Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

Really good, it flips quickly between funny and heartbreaking. Took me awhile to get used to the art, but then moved at an amazing pace. A glimpse at a history and point of view I know embarrassingly little about. (read for the graphic memoir component)

Based on a Sufi folktale, a silly version of the don't be scared of something just because it's unfamiliar. Messagey, but silly and colorful, and that's always a good message to emphasize.

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

3.5 rounding up. It was awfully cute, I liked that everything about the diversity was casual-even when the grandmothers messed up pronoun usage it was just part of the flow and immediately fixed (though I would have adored more than a reference to a sukkah, I'm so desperate to see some non Holocaust Jewish representation...) and I generally liked the art style. It just felt a little like catching the second movie of a trilogy, or starting a new series a few episodes in. Media res works sometimes, but here it felt a little too far in and made the relationship feel like a wham insta-love kind of deal. I would have really loved more about the demon-how did it become one since it wasn't one to start? (All I could think of was princess mononoke with the spirits becoming demons.) And the stepdad-mom thing. And the ghost parents. It's like there wasn't quite enough world to hold up all the story.

I'll have to chat with younger readers when I can, missing the appeal on this one. (And the whole mouths being in the wrong place drove me nuts to the point of interrupting the flow of the story.)

I thought it was awfully cute. The pace is a little off, sometimes slow and sometimes galloping, but overall it's charming with a nice message of being yourself with a dash of reclaiming and acknowledging the brokenness of the past. The mayor's heel turn from basically one panel to the next was sudden, I mean, closure is good, but still could have used a bit more there. (I also kind of wish there'd be some kind of acknowledgement of the role of patriarchy in the prosecution of witches beyond the obvious of it being male descendants, but yeah...)

Torn on this one. It's very sweet, but despite being based on her life, I feel like it really shouldn't be in non-fiction. Even in kid's books I'm not big on non-fiction books putting specific thoughts in people's heads unless those people have written or spoken along those lines. So I'm suuuuper not big on non-fiction books showing animals thinking like people. I'm also iffy on how she turned herself into a tween/teen and glossed entirely over her injuries. It's lovely to have a thoughtful and positive portrayal, and first hand, view, I just wish it had emphasized more on the training and working together and less on an imaginary dog's POV and a quasi-fictional view on her. Two separate books-maybe a more real non-fiction and then a picture book might have been more appropriate here?

Not amazing, but a solid simple biography. I appreciate that he does minimal imagining of thoughts and feelings and has excellent examples of her work.

Another great introduction to a batch of badass women. Not a be all and end all, but an amazing starting place with a highly readable pace. Also greatly appreciate the broader approach to the use of mother and matriarch. (I feel like the casual style would do better in teen with the first book, but I think the use of mother in the title is why the few libraries that have it put it in adult...)