I had a lot of trouble getting into this one. Both busy and long. Interesting though confusing magic system. Nice to see different types of friend and family relationships. Seems like often the main siblings are brother and sister, so two quite different sisters was a good dynamic.

Based on a Sufi folktale, a silly version of the don't be scared of something just because it's unfamiliar. Messagey, but silly and colorful, and that's always a good message to emphasize.

This one fits a little oddly. It seems like the plot and writing are a little young for the length. I'm wondering if it'd be good for reluctant readers. All the underwear jokes do make it seem like a good choice for captain underpants fans or the younger end of Hilo fans!

Moves at a good pace, some really great visuals, for me it was a fun introduction to mythology I knew nothing about. It felt like it suddenly hit the breaks at the end and slowed up suddenly, but curious to see where she'll go with the next one.

I guess it's a case of not bad but not much there? More of an opener than a complete story? Namesless city is a much cooler title than the city everyone calls something different... I do like the nod to names and how they work in terms of control. The visuals are great, as someone who always has issues with perspective no matter how much I sketch out vanishing points and angles, serious respect. That's a lot of tiles and bricks and shadowing to have on point. And the pacing of the racing scenes really does ramp up nicely. (I'm always iffy on the nabbing Eastern settings and clothing styles and naming conventions without plot tie in. Not sure where the line is on what's okay and what's not. Especially in a graphic novel that seems to be leading to questioning conquest and colonialism?)

I listened to the audiobook version of this memoir by Michael McCreary, a 22-year old stand-up comedian who is on the autism spectrum. The book was written in 2019, so it gives recent information on Autism Spectrum Disorders and supplemental graphs and pictures are provided at https://www.annickpress.com/Books/F/Funny-You-Don-t-Look-Autistic. The author tells his own story of growing up autistic, what behaviors led to his diagnosis as a child and how humor and comedy became a positive outlet for him. The audiobook is 3 hours and 37 minutes and covers a variety of aspects of autism, including the spectrum of developmental disorders, reactions from neurotypical people, social struggles in school and suggestions on how to better communicate and understand some on the autism spectrum. The book is appropriate for anyone age 12 or older and the publisher offers a lesson plan with the option for the book to be taught in a classroom. The lesson plan covers aspects of writing a memoir, Autism Spectrum Disorder, and the role of comedy in a person’s life. Parents, family, and friends of an autistic person will find the book offers some insight into what their loved one is experiencing.

Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

I thought it was awfully cute. The pace is a little off, sometimes slow and sometimes galloping, but overall it's charming with a nice message of being yourself with a dash of reclaiming and acknowledging the brokenness of the past. The mayor's heel turn from basically one panel to the next was sudden, I mean, closure is good, but still could have used a bit more there. (I also kind of wish there'd be some kind of acknowledgement of the role of patriarchy in the prosecution of witches beyond the obvious of it being male descendants, but yeah...)

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

Really good, it flips quickly between funny and heartbreaking. Took me awhile to get used to the art, but then moved at an amazing pace. A glimpse at a history and point of view I know embarrassingly little about. (read for the graphic memoir component)