Graphic format is good for this, but I think given how slim the story framework was I think a straight up comic with more visuals on the concepts and not bothering with the comic book inspiration parts might have worked better. (Also should I worry that I don't really get subatomic physics even when it's in a comic format and aimed at teens?)

Very cute. I enjoyed the fact that it uses magical creatures to teach science. Yay for a good example of changing one variable at a time. I always have trouble convincing kids on that one in my programs! I also liked addressing the anxiety of her mom being away for the first time and the worries of sudden responsibilities. Even if touched on lightly, this seemed pretty honest about feeling different types of worry, and a little bit on thinking about what you can control is a nice touch. (And even if it wasn't subtle, did stick in what something wants to eat vs what it SHOULD eat, I'd have gone for the marshmallows too.)

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)

I'd recommend MC Beaton's books for Lillian Jackson Braun fans, someone looking for a cozy mystery with a bit of bite on a rainy day, or those fond of British Mysteries. (Also for fans of the show Midsomer Murders.) It's a murder mystery, but hardly bloody. The murder is almost lost in the setting-small town pettiness, gossip, and pubs!

3.5 rounding up. It was awfully cute, I liked that everything about the diversity was casual-even when the grandmothers messed up pronoun usage it was just part of the flow and immediately fixed (though I would have adored more than a reference to a sukkah, I'm so desperate to see some non Holocaust Jewish representation...) and I generally liked the art style. It just felt a little like catching the second movie of a trilogy, or starting a new series a few episodes in. Media res works sometimes, but here it felt a little too far in and made the relationship feel like a wham insta-love kind of deal. I would have really loved more about the demon-how did it become one since it wasn't one to start? (All I could think of was princess mononoke with the spirits becoming demons.) And the stepdad-mom thing. And the ghost parents. It's like there wasn't quite enough world to hold up all the story.

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

It's wonderfully illustrated, but not much of a biography. I'm not keen on biographies that make statements about the subject's interior life, or on books about artists that never show examples of the artists work. (Or in general, on books that compare women to animals, even though I get it's meant to be a positive bridge.)

This book has you on the edge of your seat and waiting to figure out what the big reveal is going to be. Back and forth through the chapters the reader questions whether the main character, Beth, is hallucinating seeing her best friend and children. The problem is that the children haven’t aged; they are still three and five years old like they were before Beth and Flora had a falling out 12 years ago. This book was really enticing and a very easy read that keeps you involved and motivated to solve the mystery that consumes the characters. A story that comments on how terrible the urge for perfection can be and the importance or not giving up on the truth, “Perfect Little Children” shows that friendship can prevail even after many years.

There's nothing exactly wrong with it, just wasn't thrilled either. Another white boy savior of the world fantasy with backup characters from 19th century vaguely 'exotic' localities and spellings. Somehow extraordinary long but also very rushed feeling. I do like the introduction of possible interplay between science and magic, wish that'd been more than a last nod. (If you know the cultural refs-Star Wars, Harry Potter, the MCU, you're going to know exactly what's going to happen blow by blow for the ending.)

Moves at a good pace, some really great visuals, for me it was a fun introduction to mythology I knew nothing about. It felt like it suddenly hit the breaks at the end and slowed up suddenly, but curious to see where she'll go with the next one.