It was okay. I feel like there was too much tell when it came to plot (exposition is still exposition, even if it's a talking cat that's somehow also a Titan), and any characterization was sacrificed to speed and fighting. Also, all the easily identifiable villains are female? All the male monsters in Greek mythology and they cherry-pick the female ones and imply Zeus is a good guy?! (What the heck is the Jabberwocky doing in here? Just saying...)

I guess it's a case of not bad but not much there? More of an opener than a complete story? Namesless city is a much cooler title than the city everyone calls something different... I do like the nod to names and how they work in terms of control. The visuals are great, as someone who always has issues with perspective no matter how much I sketch out vanishing points and angles, serious respect. That's a lot of tiles and bricks and shadowing to have on point. And the pacing of the racing scenes really does ramp up nicely. (I'm always iffy on the nabbing Eastern settings and clothing styles and naming conventions without plot tie in. Not sure where the line is on what's okay and what's not. Especially in a graphic novel that seems to be leading to questioning conquest and colonialism?)

Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

I listened to the audiobook version of this memoir by Michael McCreary, a 22-year old stand-up comedian who is on the autism spectrum. The book was written in 2019, so it gives recent information on Autism Spectrum Disorders and supplemental graphs and pictures are provided at https://www.annickpress.com/Books/F/Funny-You-Don-t-Look-Autistic. The author tells his own story of growing up autistic, what behaviors led to his diagnosis as a child and how humor and comedy became a positive outlet for him. The audiobook is 3 hours and 37 minutes and covers a variety of aspects of autism, including the spectrum of developmental disorders, reactions from neurotypical people, social struggles in school and suggestions on how to better communicate and understand some on the autism spectrum. The book is appropriate for anyone age 12 or older and the publisher offers a lesson plan with the option for the book to be taught in a classroom. The lesson plan covers aspects of writing a memoir, Autism Spectrum Disorder, and the role of comedy in a person’s life. Parents, family, and friends of an autistic person will find the book offers some insight into what their loved one is experiencing.

Moves at a good pace, some really great visuals, for me it was a fun introduction to mythology I knew nothing about. It felt like it suddenly hit the breaks at the end and slowed up suddenly, but curious to see where she'll go with the next one.

It's wonderfully illustrated, but not much of a biography. I'm not keen on biographies that make statements about the subject's interior life, or on books about artists that never show examples of the artists work. (Or in general, on books that compare women to animals, even though I get it's meant to be a positive bridge.)

Another great introduction to a batch of badass women. Not a be all and end all, but an amazing starting place with a highly readable pace. Also greatly appreciate the broader approach to the use of mother and matriarch. (I feel like the casual style would do better in teen with the first book, but I think the use of mother in the title is why the few libraries that have it put it in adult...)

A complex and complicated history of African-American culinary history, as well as American and world history in general in light of the long history and legacy of slaves brought from Africa to the Americas. Worth reading slowly and thoughtfully. Provocative.

It's very cute. Follows the age old younger sibling frustrated with older siblings story, but I think it's timeless because so many kids can identify with it. (Heck I can still totally identify with the mean cousin, even if mine was younger...) I think a lot of kids will also identify both the with excitement and frustrations of traditions and family visits. Talking with her neighbor is a transparent but still clever way to sound out and explain words for readers who haven't run into them before. (Also partial to her habit of making collages since that's what one of my last videos was on and I'm hoping to revisit a different aspect in awhile.)

It drives me nuts when artist biographies don't show any works by the artist. I feel like the biography aspect of this was well written, but just again, the art and lack thereof. The illustrations were lovely and held true to the surrealist aspect, but still. And stylistically they owe more to Peter Max than Leonora Carrington...