I thought it was awfully cute. The pace is a little off, sometimes slow and sometimes galloping, but overall it's charming with a nice message of being yourself with a dash of reclaiming and acknowledging the brokenness of the past. The mayor's heel turn from basically one panel to the next was sudden, I mean, closure is good, but still could have used a bit more there. (I also kind of wish there'd be some kind of acknowledgement of the role of patriarchy in the prosecution of witches beyond the obvious of it being male descendants, but yeah...)

It drives me nuts when artist biographies don't show any works by the artist. I feel like the biography aspect of this was well written, but just again, the art and lack thereof. The illustrations were lovely and held true to the surrealist aspect, but still. And stylistically they owe more to Peter Max than Leonora Carrington...

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

Very cute. I enjoyed the fact that it uses magical creatures to teach science. Yay for a good example of changing one variable at a time. I always have trouble convincing kids on that one in my programs! I also liked addressing the anxiety of her mom being away for the first time and the worries of sudden responsibilities. Even if touched on lightly, this seemed pretty honest about feeling different types of worry, and a little bit on thinking about what you can control is a nice touch. (And even if it wasn't subtle, did stick in what something wants to eat vs what it SHOULD eat, I'd have gone for the marshmallows too.)

3.5 rounding up. It was awfully cute, I liked that everything about the diversity was casual-even when the grandmothers messed up pronoun usage it was just part of the flow and immediately fixed (though I would have adored more than a reference to a sukkah, I'm so desperate to see some non Holocaust Jewish representation...) and I generally liked the art style. It just felt a little like catching the second movie of a trilogy, or starting a new series a few episodes in. Media res works sometimes, but here it felt a little too far in and made the relationship feel like a wham insta-love kind of deal. I would have really loved more about the demon-how did it become one since it wasn't one to start? (All I could think of was princess mononoke with the spirits becoming demons.) And the stepdad-mom thing. And the ghost parents. It's like there wasn't quite enough world to hold up all the story.

First review attempt got error message?! Very much a where the heck was this book when I needed it book. I think it'll be great for the nervous kids out there. Plus, might make the quiet struggles more understandable to the rest of her myriad fans too. I think she's at her best when working from personal experience. Also curious if the emphasis on bodily functions here will make it more popular with boys than her previous titles!

This book has you on the edge of your seat and waiting to figure out what the big reveal is going to be. Back and forth through the chapters the reader questions whether the main character, Beth, is hallucinating seeing her best friend and children. The problem is that the children haven’t aged; they are still three and five years old like they were before Beth and Flora had a falling out 12 years ago. This book was really enticing and a very easy read that keeps you involved and motivated to solve the mystery that consumes the characters. A story that comments on how terrible the urge for perfection can be and the importance or not giving up on the truth, “Perfect Little Children” shows that friendship can prevail even after many years.

Really good, it flips quickly between funny and heartbreaking. Took me awhile to get used to the art, but then moved at an amazing pace. A glimpse at a history and point of view I know embarrassingly little about. (read for the graphic memoir component)

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)

It's very cute. Follows the age old younger sibling frustrated with older siblings story, but I think it's timeless because so many kids can identify with it. (Heck I can still totally identify with the mean cousin, even if mine was younger...) I think a lot of kids will also identify both the with excitement and frustrations of traditions and family visits. Talking with her neighbor is a transparent but still clever way to sound out and explain words for readers who haven't run into them before. (Also partial to her habit of making collages since that's what one of my last videos was on and I'm hoping to revisit a different aspect in awhile.)