It's wonderfully illustrated, but not much of a biography. I'm not keen on biographies that make statements about the subject's interior life, or on books about artists that never show examples of the artists work. (Or in general, on books that compare women to animals, even though I get it's meant to be a positive bridge.)

I had a lot of trouble getting into this one. Both busy and long. Interesting though confusing magic system. Nice to see different types of friend and family relationships. Seems like often the main siblings are brother and sister, so two quite different sisters was a good dynamic.

This book has you on the edge of your seat and waiting to figure out what the big reveal is going to be. Back and forth through the chapters the reader questions whether the main character, Beth, is hallucinating seeing her best friend and children. The problem is that the children haven’t aged; they are still three and five years old like they were before Beth and Flora had a falling out 12 years ago. This book was really enticing and a very easy read that keeps you involved and motivated to solve the mystery that consumes the characters. A story that comments on how terrible the urge for perfection can be and the importance or not giving up on the truth, “Perfect Little Children” shows that friendship can prevail even after many years.

Based on a Sufi folktale, a silly version of the don't be scared of something just because it's unfamiliar. Messagey, but silly and colorful, and that's always a good message to emphasize.

Another great introduction to a batch of badass women. Not a be all and end all, but an amazing starting place with a highly readable pace. Also greatly appreciate the broader approach to the use of mother and matriarch. (I feel like the casual style would do better in teen with the first book, but I think the use of mother in the title is why the few libraries that have it put it in adult...)

Fast paced, clever, mystery that's as much about friendship as the adventure without slowing down.

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

I guess it's a case of not bad but not much there? More of an opener than a complete story? Namesless city is a much cooler title than the city everyone calls something different... I do like the nod to names and how they work in terms of control. The visuals are great, as someone who always has issues with perspective no matter how much I sketch out vanishing points and angles, serious respect. That's a lot of tiles and bricks and shadowing to have on point. And the pacing of the racing scenes really does ramp up nicely. (I'm always iffy on the nabbing Eastern settings and clothing styles and naming conventions without plot tie in. Not sure where the line is on what's okay and what's not. Especially in a graphic novel that seems to be leading to questioning conquest and colonialism?)

Moves at a good pace, some really great visuals, for me it was a fun introduction to mythology I knew nothing about. It felt like it suddenly hit the breaks at the end and slowed up suddenly, but curious to see where she'll go with the next one.