It drives me nuts when artist biographies don't show any works by the artist. I feel like the biography aspect of this was well written, but just again, the art and lack thereof. The illustrations were lovely and held true to the surrealist aspect, but still. And stylistically they owe more to Peter Max than Leonora Carrington...

Fast paced, clever, mystery that's as much about friendship as the adventure without slowing down.

A complex and complicated history of African-American culinary history, as well as American and world history in general in light of the long history and legacy of slaves brought from Africa to the Americas. Worth reading slowly and thoughtfully. Provocative.

I guess it's a case of not bad but not much there? More of an opener than a complete story? Namesless city is a much cooler title than the city everyone calls something different... I do like the nod to names and how they work in terms of control. The visuals are great, as someone who always has issues with perspective no matter how much I sketch out vanishing points and angles, serious respect. That's a lot of tiles and bricks and shadowing to have on point. And the pacing of the racing scenes really does ramp up nicely. (I'm always iffy on the nabbing Eastern settings and clothing styles and naming conventions without plot tie in. Not sure where the line is on what's okay and what's not. Especially in a graphic novel that seems to be leading to questioning conquest and colonialism?)

If you have an air fryer, this cookbook is a must-purchase. Easy, healthy recipes (very Weight Watchers friendly!) are big on taste and interest.

This one fits a little oddly. It seems like the plot and writing are a little young for the length. I'm wondering if it'd be good for reluctant readers. All the underwear jokes do make it seem like a good choice for captain underpants fans or the younger end of Hilo fans!

I loved this book. It manages to be engaging while teaching the differences between facts and opinons. And tests and repeats the information without getting didactic. So even if it doesn't sink in right away, at least they're vaguely familiar concepts now. *Plus, he shows the whole sometimes we need to wait for additional information to make the call if something is fact or opinion.

Based on a Sufi folktale, a silly version of the don't be scared of something just because it's unfamiliar. Messagey, but silly and colorful, and that's always a good message to emphasize.

Graphic format is good for this, but I think given how slim the story framework was I think a straight up comic with more visuals on the concepts and not bothering with the comic book inspiration parts might have worked better. (Also should I worry that I don't really get subatomic physics even when it's in a comic format and aimed at teens?)

Moves at a good pace, some really great visuals, for me it was a fun introduction to mythology I knew nothing about. It felt like it suddenly hit the breaks at the end and slowed up suddenly, but curious to see where she'll go with the next one.