Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

I loved this book. It manages to be engaging while teaching the differences between facts and opinons. And tests and repeats the information without getting didactic. So even if it doesn't sink in right away, at least they're vaguely familiar concepts now. *Plus, he shows the whole sometimes we need to wait for additional information to make the call if something is fact or opinion.

Vivid imagery of a fantastical time and place with colorful characters. A magical circus at turn of the century Europe / Northeastern US. Conjures the feeling of "The Prestige" and Tim Burton films, with two main characters caught in the crosshairs of an epic Game. I enjoyed living in the circus, with all its wondrous tents and entertainers, but fell out of love once the danger and death started to kick in. Couldn't feel strongly about the two main characters falling in love and what happened to them, but I greatly enjoyed the setting and imagery of the book.

Just finished the Seashells more than a Home book. I kind of wish she defined mollusk at the beginning of the book since she uses the word throughout, but it's a beautiful book. It gives solid and easy to understand examples, the main font is clearly differentiated from the notes, but both are large and legible. It's also always fun to get to learn new things from a picture book. I have an abalone shell, but never knew what the holes were for! Or why cockle shells are so fragile looking. And there's a partial bibliography both for the author and the illustrator, huzzah!

Not amazing, but a solid simple biography. I appreciate that he does minimal imagining of thoughts and feelings and has excellent examples of her work.

Fast paced, clever, mystery that's as much about friendship as the adventure without slowing down.

I guess it's a case of not bad but not much there? More of an opener than a complete story? Namesless city is a much cooler title than the city everyone calls something different... I do like the nod to names and how they work in terms of control. The visuals are great, as someone who always has issues with perspective no matter how much I sketch out vanishing points and angles, serious respect. That's a lot of tiles and bricks and shadowing to have on point. And the pacing of the racing scenes really does ramp up nicely. (I'm always iffy on the nabbing Eastern settings and clothing styles and naming conventions without plot tie in. Not sure where the line is on what's okay and what's not. Especially in a graphic novel that seems to be leading to questioning conquest and colonialism?)

I'd recommend MC Beaton's books for Lillian Jackson Braun fans, someone looking for a cozy mystery with a bit of bite on a rainy day, or those fond of British Mysteries. (Also for fans of the show Midsomer Murders.) It's a murder mystery, but hardly bloody. The murder is almost lost in the setting-small town pettiness, gossip, and pubs!

Depressingly timely. I liked the way the author illustrated different ways in which older men tend to manipulate young women. It added a degree of nuance and extra claustrophobia to the environment. I get that it was trying for a slow build of tightness and fear, but think its length detracted from the acceleration a little.

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)