Vivid imagery of a fantastical time and place with colorful characters. A magical circus at turn of the century Europe / Northeastern US. Conjures the feeling of "The Prestige" and Tim Burton films, with two main characters caught in the crosshairs of an epic Game. I enjoyed living in the circus, with all its wondrous tents and entertainers, but fell out of love once the danger and death started to kick in. Couldn't feel strongly about the two main characters falling in love and what happened to them, but I greatly enjoyed the setting and imagery of the book.

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)

A complex and complicated history of African-American culinary history, as well as American and world history in general in light of the long history and legacy of slaves brought from Africa to the Americas. Worth reading slowly and thoughtfully. Provocative.

I listened to the audiobook version of this memoir by Michael McCreary, a 22-year old stand-up comedian who is on the autism spectrum. The book was written in 2019, so it gives recent information on Autism Spectrum Disorders and supplemental graphs and pictures are provided at https://www.annickpress.com/Books/F/Funny-You-Don-t-Look-Autistic. The author tells his own story of growing up autistic, what behaviors led to his diagnosis as a child and how humor and comedy became a positive outlet for him. The audiobook is 3 hours and 37 minutes and covers a variety of aspects of autism, including the spectrum of developmental disorders, reactions from neurotypical people, social struggles in school and suggestions on how to better communicate and understand some on the autism spectrum. The book is appropriate for anyone age 12 or older and the publisher offers a lesson plan with the option for the book to be taught in a classroom. The lesson plan covers aspects of writing a memoir, Autism Spectrum Disorder, and the role of comedy in a person’s life. Parents, family, and friends of an autistic person will find the book offers some insight into what their loved one is experiencing.

I'll have to chat with younger readers when I can, missing the appeal on this one. (And the whole mouths being in the wrong place drove me nuts to the point of interrupting the flow of the story.)

This book has you on the edge of your seat and waiting to figure out what the big reveal is going to be. Back and forth through the chapters the reader questions whether the main character, Beth, is hallucinating seeing her best friend and children. The problem is that the children haven’t aged; they are still three and five years old like they were before Beth and Flora had a falling out 12 years ago. This book was really enticing and a very easy read that keeps you involved and motivated to solve the mystery that consumes the characters. A story that comments on how terrible the urge for perfection can be and the importance or not giving up on the truth, “Perfect Little Children” shows that friendship can prevail even after many years.

Really good, it flips quickly between funny and heartbreaking. Took me awhile to get used to the art, but then moved at an amazing pace. A glimpse at a history and point of view I know embarrassingly little about. (read for the graphic memoir component)

Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

First review attempt got error message?! Very much a where the heck was this book when I needed it book. I think it'll be great for the nervous kids out there. Plus, might make the quiet struggles more understandable to the rest of her myriad fans too. I think she's at her best when working from personal experience. Also curious if the emphasis on bodily functions here will make it more popular with boys than her previous titles!

I thought it was awfully cute. The pace is a little off, sometimes slow and sometimes galloping, but overall it's charming with a nice message of being yourself with a dash of reclaiming and acknowledging the brokenness of the past. The mayor's heel turn from basically one panel to the next was sudden, I mean, closure is good, but still could have used a bit more there. (I also kind of wish there'd be some kind of acknowledgement of the role of patriarchy in the prosecution of witches beyond the obvious of it being male descendants, but yeah...)