There's nothing exactly wrong with it, just wasn't thrilled either. Another white boy savior of the world fantasy with backup characters from 19th century vaguely 'exotic' localities and spellings. Somehow extraordinary long but also very rushed feeling. I do like the introduction of possible interplay between science and magic, wish that'd been more than a last nod. (If you know the cultural refs-Star Wars, Harry Potter, the MCU, you're going to know exactly what's going to happen blow by blow for the ending.)

I loved this book. It manages to be engaging while teaching the differences between facts and opinons. And tests and repeats the information without getting didactic. So even if it doesn't sink in right away, at least they're vaguely familiar concepts now. *Plus, he shows the whole sometimes we need to wait for additional information to make the call if something is fact or opinion.

I listened to the audiobook version of this memoir by Michael McCreary, a 22-year old stand-up comedian who is on the autism spectrum. The book was written in 2019, so it gives recent information on Autism Spectrum Disorders and supplemental graphs and pictures are provided at https://www.annickpress.com/Books/F/Funny-You-Don-t-Look-Autistic. The author tells his own story of growing up autistic, what behaviors led to his diagnosis as a child and how humor and comedy became a positive outlet for him. The audiobook is 3 hours and 37 minutes and covers a variety of aspects of autism, including the spectrum of developmental disorders, reactions from neurotypical people, social struggles in school and suggestions on how to better communicate and understand some on the autism spectrum. The book is appropriate for anyone age 12 or older and the publisher offers a lesson plan with the option for the book to be taught in a classroom. The lesson plan covers aspects of writing a memoir, Autism Spectrum Disorder, and the role of comedy in a person’s life. Parents, family, and friends of an autistic person will find the book offers some insight into what their loved one is experiencing.

It was okay. I feel like there was too much tell when it came to plot (exposition is still exposition, even if it's a talking cat that's somehow also a Titan), and any characterization was sacrificed to speed and fighting. Also, all the easily identifiable villains are female? All the male monsters in Greek mythology and they cherry-pick the female ones and imply Zeus is a good guy?! (What the heck is the Jabberwocky doing in here? Just saying...)

Another great introduction to a batch of badass women. Not a be all and end all, but an amazing starting place with a highly readable pace. Also greatly appreciate the broader approach to the use of mother and matriarch. (I feel like the casual style would do better in teen with the first book, but I think the use of mother in the title is why the few libraries that have it put it in adult...)

A complex and complicated history of African-American culinary history, as well as American and world history in general in light of the long history and legacy of slaves brought from Africa to the Americas. Worth reading slowly and thoughtfully. Provocative.

Attractive enough, but so vague as to be nearly useless. More a stilted but dreamy picture book than anything actually informative. (And as much as I like the idea of nods to the artists style, seriously, can we have some actual examples of his art, more than two small photos in the end material?! I'm really not digging this narrative nonfiction trend where bios of artists don't actually include much of the artists work.)

First review attempt got error message?! Very much a where the heck was this book when I needed it book. I think it'll be great for the nervous kids out there. Plus, might make the quiet struggles more understandable to the rest of her myriad fans too. I think she's at her best when working from personal experience. Also curious if the emphasis on bodily functions here will make it more popular with boys than her previous titles!

Good read, short but lots of information. A nice mix of more and less well known ladies. I like their summaries of other women they wanted to include in the back, and that they do have a research and resources page, though I really wish it had a bibliography. (And better art, I really don't like the art style.)

It drives me nuts when artist biographies don't show any works by the artist. I feel like the biography aspect of this was well written, but just again, the art and lack thereof. The illustrations were lovely and held true to the surrealist aspect, but still. And stylistically they owe more to Peter Max than Leonora Carrington...